Research and Pedagogy   link to Awards, link to Statement-Exhibitions, link to Education-Employment

 
 

 

Publications and Presentations
(academic and professional)

1986-present

self-portrait
© Elzbieta (Elka) Kazmierczak
2004
  Recent publlcation: Creativity and Self-Exploration in Projective Drawings of Abused Women: Evaluating the Inside Me-Outside Me Workshop to pages from pdf

 
Keywords
  Knowledge presentation, visual literacy, art education, diagrammatic modeling, easthetic preferences, visual semiotics, Trickster studies

 
Book – publisher, editor, contributor, designer   Art of Survival: Women, Healing, and the Arts, partially funded by IHC, IAC, CCA, and Puffin Foundation, Carbondale, IL, First edition, October 2006, 72 artworks by invited artists, 6 invited essays, an invited poem, 32 pages, index, saddle stitched, laminated soft cover. link to book

 

Book – sole authorship

 

Glowne choremy w semiografii: kolo, kwadrat, trojkat. Zarys historyczny (Principal Choremes in Semiography: Circle, Square, and Triangle. Historical Outline.) Warszawa, Poland: Institute for Industrial Design, two editions, 1986 & 1990, 2nd edition extended and fully revised, 128 pages, 243 illustrations. (in Polish, chapters available in English.) pdf


 

Chapters in Books

 

Poster as an Art Form, in Digital Designer: 101 Graphic Design Projects for Print, the Web, Multimedia, and Motion Graphics, ed. Stephen Pite, OnWord Press, the Graphic Imprint of Delmar/Thomson Learning, 2002, (essay and 5 illustrations), pp. 76-79, illustrations pp. 52, 53, 54, 55.

 

Why Do We Want Tricksters? in Trickster and Ambivalence: The Dance of Differentiation, ed. C.W. Spinks, Madison, WI: Atwood Publishing, 2001, pp. 143-151. pdf


 
Special Issues of Journals (invitational)  

Triangle as the Trickster Redeemer of Human Sensitivity, Imagination, and Improvisation: The Tao of J.J., in Trickster: Cultural Boundaries and Semiosis, Special Issue of The American Journal of Semiotics, Guest Editor C.W. Spinks, Winter 1997 [1998], Vol. 14, No. 1 to 4, pp. 190–207.

   

Introduction to Semiography, or Approaching the Visual Language, in Semiotics: Pedagogy and Practice, Special Issue of Zed: A Journal of the Center for Design Studies, Communication Arts and Design Department, Guest Editors Katie Salen and Steven Skaggs, Virginia Commonwealth University, 1997, No. 4, pp. 10-21. pdf

 

Universals in Visual Codification, in Bildsprache – Visualisierung – Diagrammatik, Special Issue of Semiotische Berichte, Editor Jeff Bernard, Vienna: Institute for Socio-Semiotic Studies, 1995, No. 19, Vol. 1, 2, 3, 4, pp. 131-152.


 
Refereed Journals   Creativity and Self-Exploration in Projective Drawings of Abused Women: Evaluating the Inside Me-outside me Workshop, (Dollinger, S., Kazmierczak, E., & Storkerson, P.), in the Journal of Creativity in Mental Health, 2011, 6:3, pp. 202-219. doi: 10.1080/15401383.2011.607094. to pages from pdf

(guest editor)

  2by2: Preparing for the Future of Knowledge Presentation: Conference Introduction, in Information Design Journal & Document Design, Paul Stiff, ed., Tilburg University, the Netherlands, John Benjamins Publishing, 2004, Vol. 12, No. 1, p. 63. Edited papers in Vol. 12, No. 2 and 3, 2004.
   

Design as Meaning Making: From Making Things to the Design of Thinking, in Design Issues: History, Theory, Criticism, Richard Buchanan, ed., Carnegie Mellon University, Spring 2003, Vol. 19, No. 2, pp. 45-59. pdf

 

Iconicity, Diagrammatics, and Aesthetic Preferences: A Semiotic Perspective on Visual Literacy and Information Design, in Visual Sociology: The Journal of the International Visual Sociology Association, Jon Prosser, ed., Leeds University, UK, 2001, Vol. 16, No.1, pp. 89-99. pdf

    A Semiotic Perspective on Visual Literacy, Aesthetic Preferences, and Information Design, in Information Design Journal, Karel van der Waarde, ed., Amsterdam: John Benjamins Publishing, 10:2 (2001), pp. 176-187. pdf

 
Professional Trade Magazines, (invitational)   Semiograficzna analiza prasymboli (Semiographic Analysis of Primeval Symbols), in Poligrafika: Journal of the Printing Industry, Warsaw, Poland, 1989, 10/89, pp. 239-242.
 

Glowne choremy w semiografii (Principal Choremes in Semiography), in Poligrafika: Journal of the Printing Industry, Warsaw, Poland, 1988, 7/88, pp. 160-168.


 
Conference Proceedings  

Shortcuts to Meaning, or Diagrams and Making Sense Out of Image-text De-signs, in Semiotics 2000: Proceedings of the Semiotic Society of America, Eds.: Scott Simpkins, John Deely, and C.W. Spinks, New York: Peter Lang Publishing, 2001, pp.142–159. pdf

   

In the Beginning was the Circle: Longing for Perfection as a Semiotic Paradigm, in Selected Papers–6th Congress of the International Association for Semiotic Studies, Guadalajara 1997, Adrián Gimate-Welsh, ed., Mexico City: Grupo Editorial Miguel Angel Porrua, 2000, pp. 629-640. pdf

   

Portrait of a Woman or Diagrammatic Modeling in Art, in Semiotics 1999: Proceedings of the Semiotic Society of America, Eds.: Scott Simpkins, John Deely, and C.W. Spinks, New York: Peter Lang Publishing, 2000, pp. 360–373.

   

In the Vicious Circle of Codependency: The Artist as Trickster, in Semiotics 1998: Proceedings of the Semiotic Society of America, Eds.: John Deely, and C.W. Spinks, New York: Peter Lang Publishing, 1999, pp. 82–94.

    Introduction to Semiography, or Approaching the Visual Language, in Semiotics 1995: Proceedings of the Semiotic Society of America, Eds.: John Deely, and C.W. Spinks, New York: Peter Lang Publishing, 1996, pp.198–207.
    Symmetry versus Asymmetry: Philosophy and Aesthetic Preferences, in Semiotics 1994: Proceedings of the Semiotic Society of America, Eds.: John Deely, and C.W. Spinks, New York: Peter Lang Publishing, 1995, pp. 370-379. pdf

 
Electronic Publications
 

Embodiment and Image Design, the International Congress of the German Association for Semiotic Studies: Body, Embodiment, Disembodiment, Kassel University Press, Germany, 2004, ISBN 3-89958-045-1 (with honorarium). html

* also in print
 

In the Beginning was the Circle: Longing for Perfection as a Semiotic Paradigm, in La Semiotica. Interseccióón entre la naturalenza y la Cultura (Semiotics Bridging Nature and Culture. Proceedings of the 6th Congress of the International Association for Semiotic Studies), Guadalajara, Mexico, 1997, Adrián Gimate-Welsh, ed., CD-ROM.

to top   Visual Semiotics for the Information Design Dictionary (authored nine entries), resources for information designers. Coordinated by the International Institute for Information Design (IIID), 1999, Vienna, Austria www.visionplus7.com

 
CONFERENCE
  PRESENTATIONS – peer-reviewed

 
2012   Semiotic and Ecological Model of Interpretation of Diagnostic Drawings, International Congress for Qualitative Inquiry, Champaign, IL, May, 2012 to ICQI
    What Diagnostic Self-Portraits Can and Cannot Tell Us About Inner Selves of Their Creators? (research lecture), National Art Education Association Convention, New York, NY, 2011 to NAEA
2011   Re-Imagining the Self Through Creativity: Art for Empowerment as Feminist Counseling for Social Change in University and Community Settings, (best practices), Women's Caucus for Art: Art and Social Justice Conference, Regional Art Commission, St. Louis, MI, 2011 to conference
    From Diagnostic Drawing Tests to Visual Matalogues: On Transformational Function of Drawings and Conversations About Them, International Congress for Qualitative Inquiry, Champaign, IL, May, 2011 to ICQI
    From Diagnostic Drawing Tests to Visual Matalogues: On Transformational Function of Drawings and Conversations About Them, Annual Conference of Central States Anthropological Society, Iowa City, IO, April, 2011 to CSAS
    Agents or Victims: Making Sense of Embodied Experiences Through the Looking Glass of Self-Portraits, (research lecture), and Re-Imagining the Self Through Creativity: Feminist Art Therapy as Action Research in a Non-Clinical Setting, (best practices), National Art Education Association Convention, Seattle, WA, April, 2011 to NAEA
2010   Creativity, Self-Exploration, and Embodied Experience in Projective Drawing and Writing: Influence of Trauma and Abuse on Self-Perception,The 1st International Conference on Art in Response to Violence, Northeastern Illinois University, Chicago, IL,Oct. 30-Nov. 1, 2010 to NEIU gallery
    Agents or Victims: Making Sense of Embodied Experiences Through the Looking Glass of Self-Portraits, 35th Annual Meeting of the Semiotic Society of America, Louisville, KY, October, 2010 to SSA
    Creativity, Self-Exploration, and Life Events in Self-Portraits: Influence of Abuse on Self-Perception in Women, National Art Education Association Convention, Baltimore, MD, April, 2010 to NAEA
2009   Recycling Trauma: Inner and Outer Worlds in Drawings and Writings of Individuals Touched by Trauma and Abuse, 34th Annual Meeting of the Semiotic Society of America, Cincinnati, OH, Oct. 15-18, 2009 to SSA
    Art for Empowerment: Program Development, Sustainability, and Educational Outreach, Public Engagement Symposium and Technology Showcase, University of Illinois, Champaign, IL, Mar. 9, 2009
2008   Art Making as Therapy for Survivors of Trauma and Abuse: Laying an Empirical Groundwork for Establishing Efficacy, Research for Social Change Panel, National Coalition Against Domestic Violence Conference, Washington, DC, July, 2008 (to NCADV)

invitational with honorarium

  PANELIST IN TWO PANELS: Authentic Voices and Using the Arts to Address Issues of Violence, Public Affairs Conference: Seeking Solutions: Conflict, Violence and Courage to Change, Missouri State University, Springfield, MI, April 15-18, 2008
2007   Art for Empowerment: Program Development, Sustainability, and Educational Outreach, Southeastern College Art Conference, Charleston, WV, October, 2007 (to SECAC)
    SPECIAL SESSION ORGANIZER–Art of Survival: Transformation, Healing, and Self-Knowledge, Annual Meeting of the Semiotic Society of America, New Orleans, October, 2007, (also presenter and discussant). The session gathered four presenters from universities in the US and Australia. (to SSA)
invitational, non-conference
  TRANSLATOR AND COMMENTATOR–for the lecture by Dr. Peter Storkerson Wayfinding: Organization and Cognition, Wyzsza Szkola Sztuki i Projektowania (Higher School of Art and Design), Lodz, Poland, May 31, 2007, (from English into Polish with a commentary)
2006  

Art of Survival: A Model for Collaboration and Educational Outreach, Strengthening Communities, Ending Sexual Violence, Florida Council Against Sexual Violence, St. Petersburg, June 12-17, 2006

2005
invitational
  Developing the Expert Forum for Knowledge Presentation, Vision Plus 11, International Institute for Information Design, Vienna, Austria, 2005.
(co-presented with Dr. Peter Storkerson <www.knowledgepresentation.org>
2002
invitational with honorarium
 

Mental Models versus Graphic Diagrams: What we Know is What we See, the International Congress of the German Association for Semiotic Studies: Body, Embodiment, Disembodiment, Kassel, Germany, July, 2002 pdf

   

Information Design curriculum: 5-year Master Degree Program, the International Institute for Information Design Conference: Education in Information Design, Reading University, Reading, UK, September, 2002, (poster presentation and conference discussant)

2001
invitational
 
Semiotic-Cognitive Processes in Image Construction and Changing Visual Literacies, the International Workshop on Cognitive Semiotics: Semiotic Evolution and the Dynamics of Culture, University of Groningen, Groningen, The Netherlands, November, 2001 pdf
   

On Diagrammatic Nature of Representation: Art, Design, and Information as Modeling Forms of Thinking, 6th World Congress of the International Association for Visual Semiotics: The Visual in the Age of Post-Visual, Laval University, Quebec City, Canada, October, 2001. Also presented during the 26th Annual Meeting of the Semiotic Society of America, Toronto pdf

invitational
 

The Dark Side of Trickster: Rebels, Rascals, and Raptors, (13-members symposium discussant & roundtable moderator), shared with Gary Shank, Educational Psychology during the 26th Annual Meeting of the Semiotic Society of America, University of Toronto, Canada, October, 2001

   
Diagrams as Ways of Thinking, co-author with Peter Storkerson, Scientific Visualization Conference, SUNY Buffalo, NY, August, 2001 Video
2000  

Iconicity, Diagrammatics, and Aesthetic Preferences: A Semiotic Perspective on Visual Literacy, International Congress of the Nordic Association for Semiotic Studies: Models, Maps, Schemata: Semiotics and Cognitive Science, University of Copenhagen, Copenhagen, Denmark, November, 2000

* published
 
Shortcuts to Meaning: Diagrams and Making Sense Out of Image-text Designs, the 25th Annual Meeting of the Semiotic Society of America, Purdue University, West Lafayette, IN, September, 2000. (also Session Chair: Visual Semiotics)
 
Toward Ideal Harmony: Experiencing Artist's Books as Visual-Tactile-Auditory-Olfactive Diagrams of Semiotic Modeling, International Conference on Senses in Art: Uncommon Senses, Concordia University, Montreal, Canada, April, 2000
1999
* published
 
Portrait of a Woman or Diagrammatic Modelling in Art, the 24th Annual Meeting of the Semiotic Society of America, Pittsburgh, PA, 1999. Also Symposium Discussant, (16 member Symposium: Trickster Two: The Dance of Differentiation)
* published
 
Iconicity, Diagrammatics, and Aesthetic Preferences: Semiotic Perspective on Visual Literacy and Information Design, Annual Conference of the International Visual Sociology Association: Visual Cultures, Visual Literacies: Changing Ways of Imaging Science and Society, Antwerp, Belgium, 1999. Also Session Chair: Visual Rhetoric & Design
1998
invitational
 
Iconic Representations of the Self as Indices of Self-Denial and Displacement, Represented the Austrian Association for Semiotics, the International Austrian-Hungarian Semiotic Colloquium: Iconicity, Szeged, Hungary, 1998
    Symmetry versus Asymmetry: Philosophy and Aesthetic Preferences, International Conference on the Study of Symmetry: Order–Disorder, Haifa, Israel, 1998
   
Personal Archives via Artist's Books, slide presentation, the Council of Book Arts Programs Conference, Book Arts 2000 and Beyond, Tuscaloosa, AL, 1998
 

In a Vicious Circle of Codependency: Artist as Trickster, the 23rd Annual Meeting of the Semiotic Society of America, Toronto, 1998

1997  
Semiotics and the Teaching of Art: Iconic Representations of the Self as Indices of Self-Denial and Displacement, the 22nd Annual Meeting of the Semiotic Society of America: Creativity, Louisville, KY, 1997
1996  
Color in Visual Communication, the 21st Annual Conference of the Semiotic Society of America, Santa Barbara, CA, 1996
1998
* published
 
Symmetry versus Asymmetry: Philosophy and Aesthetic Preferences, the 19th Annual Conference of the Semiotic Society of America, Philadelphia, PA, 1994
1993
invitational with honorarium
 
Looking for Universals in Visual Codification, the 2nd International Interdisciplinary Seminar: Pictorial Language – Visualization – Diagrammatics, organized by the Austrian Association for Semiotics, sponsored by the Austrian Ministry of Transportation and the Ministry of Culture, Vienna, Austria, 1993
1989  
On the Necessity of Semiographic Analysis of Primeval Symbols, Seminar in Semiography: Man and His Signs, Institute for Industrial Design, Warsaw, Poland, 1989
1988
honorarium
 

Principal Choremes in the Language of Symbols, the 7th International ATYPI (Association Typographique Internationale) Working Seminar: Signs and Symbols in Typography, Gdansk, Poland, 1988


 
PUBLIC
  PRESENTATIONS

 
2007 Design (invitational)
  TRANSLATOR AND COMMENTATOR – the lecture by Dr. Peter Storkerson Wayfinding: Organization and Cognition, Wyzsza Szkola Sztuki i Projektowania (Higher School of Art and Design), Lodz, Poland, May 31. Invited by Professor of Design Krzysztof Tyczkowski and Rector of the academy, Jerzy Derkowski (www.wssip.edu.pl)
2005 Design (invitational)
  Research Behind the Design of Visual Identity of The Women's Center of Carbondale, Public presentation for The Women's Center staff, social workers, city officials, and regional representative, Carbondale, IL (TWC)

 
BOOK FAIRS
  INDEPENDENT PUBLISHER

 
2007
  Buffalo Small Book Fair, Karpeles Manuscript Library Museum, Buffalo, NY, Mar. 31 (www.buffalosmallpress.org)
2007
  CAA–College Art Association Book Fair, Hilton Hotel, New York, NY, Feb. 14-17
1989
  The 41st International Frankfurt Book Fair, Frankfurt, Germany

 
How to contact
  elka at elkadesigns.com